Musical classics as an intertext n the song compositions by neobard Timur Shaov

Sketching Musical Compositions

Sketches form an integral part of activities ranging from games through explanatory dialogues to doodles. They are also known to be important in the creative stages of design. This paper explores the role of sketching in musical composition. We discuss the historical correlation between changes in graphical notations for music and compositional practice. Contemporary music technologies provide ...

AN OCTAVE DISCRIMINATION AS DISCLOSED BY SUBJECTIVE TONAL JUDGMENT OF MUSICAL AND ' NON-MUSICAL SUBJECTS by

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Some n-Color Compositions

In the classical theory of partitions, compositions were first defined by MacMahon [1] as ordered partitions. For example, there are 5 partitions and 8 compositions of 4. The partitions are 4, 31, 22, 21, 1 and the compositions are 4, 31, 13, 22, 21, 121, 12, 1. Agarwal and Andrews [2] defined an n-color partition as a partition in which a part of size n can come in n different colors. They den...

Song as an aggressive signal in songbirds

Measuring Similarities across Musical Compositions: an Approach Based on the Raga Paradigm

We take a preliminary look at computational methods of identifying similarity in musical compositions. We have chosen the “Raga” paradigm of Indian classical music as the basis of our formal model since it is well understood and semi-formal in nature. We address the issues of why we need a computational basis of the judgment whether two compositions are similar or not, and why traditional dista...